Watch The Amazing Spider-Man 2 Online Free Movie 2014
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==> Click Here to Watch Full Movie Online
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Marc Webb, who broke out with 2009's bittersweet indie romance "(500) Days of Summer" before receiving the intimidating duties of rebooting the "Spider-Man" franchise just five years after 2007's "Spider-Man 3," initially had a bit of trouble distancing himself from the earlier Sam Raimi series. 2012's "The Amazing Spider-Man" was a competent film, but also an inferior one, overcome by a sense of ennui and familiarity as its origin story of how average teenager Peter Parker found his purpose as the extraordinary, crime-fighting title superhero basically repeated much of what had already been covered in 2002's "Spider-Man." That this particular telling was no match for the earlier one, less inspired and layered and emotionally resounding, rendered it a reboot that didn't quite convince that its existence was necessary. Webb returns to the director's chair on "The Amazing Spider-Man 2" and, with all of the pesky story setup already out of the way, is free to let loose and expand his vision in sometimes startlingly brave ways. Here, then, is a lavish big-screen spectacle to be proud of, an entry in the Marvel canon that comes thrillingly close to matching the spirit and sentiment found in Raimi's original trilogy.
Recent high school graduate Peter Parker (Andrew Garfield) has managed to let go of his guilt over the untimely death of his Uncle Ben, but he is still very much in the middle of his tortured feelings for vivacious classmate Gwen Stacy (Emma Stone). Despite his promise to her police captain father (Denis Leary) right before he died that he would sever ties with Gwen as a means of protecting her, he has found it nearly impossible to stay away from the girl with whom he has fallen in love. Haunted by visions of Captain Stacy, he finally pulls away from her just as New York City suffers a Times Square terrorist attack at the hands of Max Dillon (Jamie Foxx), a lowly Oscorp employee who transforms into an out-of-control power source after suffering an electrifying laboratory accident. Once obsessed with Spider-Man after a brief run-in with him, Max/Electro begins to view the red-and-blue-spandexed hero as a fraud out to steal the spotlight and subsequently sets out to destroy him. Meanwhile, when Norman Osborn (Chris Cooper) passes away, his 20-year-old son, Harry (Dane DeHaan), returns to Manhattan and promptly inherits the Oscorp empire. It isn't long before he has reunited with childhood friend Peter, but an encroaching genetic illness may mean certain death unless he can reverse the disease by getting ahold of Spider-Man's venom-infused blood.
This is not the angsty Spidey we know. Just like the old television series theme song said, Peter Parker is “your friendly neighborhood Spider-Man.” We first see him exuberantly swinging through the skyscrapers, deliciously vertiginous in 3D. His disposition is so sunny that he cheerfully greets a crook driving a truck filled with highly volatile stolen cargo with a happy, “Hi, Criminal!” and, when his offer of a handshake gets no response, offers a hug.
But then it’s down to business, with a gloriously witty and dexterous action scene as Spidey (Andrew Garfield) has to use his web to scoop up every one of the explosive vials rattling out of the truck before they hit the ground. No more of the dreary re-cap of the origin story that weighed down chapter one. We’re in it right from the beginning.
All seems to be going well for Peter, though this little fraca is making him late for graduation (not important) and the valedictory speech delivered by his true love, Gwen Stacey (Emma Stone). The special effects and action scenes are just fine in this film, but what makes it qualify as “amazing” is the chemistry between real-life couple Garfield and Stone, so electrifying that even super-villain Electro (Jamie Foxx), master of all power sources, seems to fizzle by comparison. The warmth (and downright heat) between the two leads make this far and away the most romantic superhero movie ever. As performers, they understand and respond to each other so completely in synch that we are immediately engaged in whatever is going on between them. They never waste time with the usual movie couple worries about how they feel about one another or whether they can trust each other or whether she knows and understands who he really is. ”You’re Spider-Man and I love that. But I love Peter Parker more,” she tells him.
Peter is literally haunted by visions of Gwen’s late father (Denis Leary), who made Peter promise he would not put Gwen at risk by letting her become involved with him. Gwen is understandably frustrated with his struggle, and especially with his insistence that the decision is up to him. And, while she completely supports all of his crime-fighting activities (another refreshing departure from the usual storyline — no “I’m worried about you” or “Be careful”), she is committed to her own dreams, which may take her to England to study at Oxford.
Penned with an escalating confidence and complexity by Alex Kurtzman & Roberto Orci (2013's "Star Trek Into Darkness") and Jeff Pinkner (TV's "Fringe"), "The Amazing Spider-Man 2" one-ups its predecessor by locating the beating hearts within its principal characters. The relationship between Peter and Gwen, which never quite grew beyond synthetic adolescent heavy petting and puppy love in the previous movie, this time more closely resembles the chemistry and pathos shared between Tobey Maguire's Peter and Kirsten Dunst's Mary Jane Watson in "Spider-Man," 2004's "Spider-Man 2," and "Spider-Man 3." Star-crossed lovers in the classic sense, they are certain that they are meant for each other, but also recognize that their lives might be headed in different directions. Peter's admittance that he has been secretly following Gwen at least once every day since they broke up straddles the creepy-sweet line, but comes off as an earnest, unthreatening gesture worthy of a swoon or two. And, if it is a too-common plot device to have Gwen about to head to England when she is accepted at Oxford, it also serves a specific purpose and places added urgency on their decision whether or not to let each other go.
Andrew Garfield (2010's "The Social Network") is still neither as warm nor as ingratiating as Maguire was in the role of Peter Parker/Spider-Man, but he has begun to soften his level of short-tempered brooding and is more sympathetic than he had been before. The kindness and love he shows to his Aunt May (Sally Field) signals that Peter is growing as a person, as conscientious of the people in his life as he is to the strangers he helps on a daily basis. As Gwen Stacy, Emma Stone (2013's "Gangster Squad") receives a happy increase in screen time, welcoming the chance to be more than just "the girl" while demonstrating a whip-smart drive to carve out her own identity. Gwen's stubbornness to not merely be a damsel in distress places her in greater danger, but she also is much more than just a Spidey groupie. "You're Spider-Man, and I love that," Gwen tells him during one touching exchange, "but I love Peter Parker more." As the patient Aunt May, still trying to find her way after husband Ben's passing, Sally Field (2012's "Lincoln") is exceptional; a tearful conversation she has with Peter about his biological parents and the protectiveness she feels for him is one of the film's best scenes, beautifully written and poignantly performed.
With every superhero saga, there must be villains, and director Marc Webb effectively juggles two of them. The more conventional heavy, Max Dillon, begins the film much like Selina Kyle in "Batman Returns"—that is, a meek, underappreciated worker who gains confidence but loses his/her mind in the process following a would-be fatal accident. Jamie Foxx (2013's "White House Down") metamorphoses into the awkward, sad-eyed, thin-haired Max, and later into the maniacal Electro, drunk with newfound otherworldly abilities, but his character is rather garden-variety as far as cinematic bad guys go and generally insignificant to the ultimate destination of the narrative. Not at all routine as a villainous figure is Dane DeHaan (2013's "The Place Beyond the Pines"), a hypnotic performer with the vigor and depth of a young Leonardo DiCaprio. His portrayal of Harry Osborn is nothing at all like James Franco's reading of the character in the Raimi films, but every bit as intensely riveting. And, although they are not given as much time to explore their friendship, Harry and Peter still manage to create a believable history and underlying, unspoken pugnacity which lingers between them. When DeHaan is on the screen, without even seeming to try to steal scenes, it is difficult to concentrate on anyone else—a surefire sign of real, monumental talent in motion.
Meanwhile, the shy, nebbishy Max Dillon (Foxx), overlooked and mistreated, has (of course, this is Marvel) a lab accident that turns him into a blue glowy guy (reminiscent of “Watchman’s” Dr. Manhattan) who can channel and harness all power sources. The problem with this character is that both his powers and his motivations are underwritten and he just does not have enough to do until too late in the film. Dane DeHaan is well cast as the spoiled rich kid who is bitter and wounded by his father’s neglect, and thank goodness his supervillain make-up and super-space-skateboard-y thing is much better than Willem-Dafoe’s. But again, we wait a long time for him. Paul Giamatti is wasted in a small part, much of which takes place inside a big robot that could have come from the final confrontation in “The Incredibles.”
But those big, swoopy swings through the skyscrapers and terrific performances by Garfield and Stone make this a great way to start the summer movie season. (And you don’t have to sit through all the credits — no stinger scene at the end.)Parents should know that this film has extended comic book/superhero violence with characters in peril, injured and killed, chases, explosions, bombs, and death of a parent.